The following is an old review taken from my archive. Date: September 2017. I fondly recall catching this at Quad Cinema. Chantal Akerman’s films examine the limited spaces in which women must find their freedom in. Take for example Delphine Seyrig in Jeanne Dielman (1975) shifting constantly between the kitchen, bedroom, and dining room, or … Continue reading Golden Eighties: Love in the Age of Material Desire →