Cleo From 5 to 7 and The Portrait of a Lady

Originally Written Summer 2019. The following is part one my coverage of Film at Lincoln Center’s 50th Mixtape: Free Double Features series. The common thread between Agnes Varda’s Cleo from 5 to 7 (1962) and Jane Campion’s The Portrait of a Lady (1996) is time and freedom. Cleo (Corinne Marchand), feeling trapped by the chanteuse … Continue reading Cleo From 5 to 7 and The Portrait of a Lady →

Top 2016 Films REDUX

I have only created a list this meticulous once, and I am not sure if I would ever do it again. Of particular note is the list of "missed films" which includes Ryusuke Hamaguchi's Happy Hour, a monumental film that not only appears in the REDUX list, but also what I consider to be one … Continue reading Top 2016 Films REDUX →

Il Boom – Vittorio De Sica’s Kinetic Satire

Originally written in 2017. If Antonioni’s L’Avventura (1960) contextualizes capitalistic consumption within existential ennui, then Vittorio De Sica’s Il Boom (1963) can be seen as L’Avventura’s obverse, situating materialistic greed in a comedic framework. Il Boom tells the story of Giovanni Alberti (Alberto Sordi), a failing building contractor massively indebt. Deeply in love with his … Continue reading Il Boom – Vittorio De Sica’s Kinetic Satire →

Golden Eighties: Love in the Age of Material Desire

The following is an old review taken from my archive. Date: September 2017. I fondly recall catching this at Quad Cinema. Chantal Akerman’s films examine the limited spaces in which women must find their freedom in. Take for example Delphine Seyrig in Jeanne Dielman (1975) shifting constantly between the kitchen, bedroom, and dining room, or … Continue reading Golden Eighties: Love in the Age of Material Desire →